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HD
柳俊烈,金泰梨,金宇彬,趙祐鎮,李荷妮,金義城,陳善圭,廉晶雅,尹敬浩,李時勳,魏智雄
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HD中字
傑森·莫瑪,帕特里克·威爾森,葉海亞·阿卜杜勒-邁丁,安珀·赫德,妮可·基德曼,蘭道爾·樸,特穆拉·莫里森,杜夫·龍格爾,馬丁·肖特,趙嘉妮,茵蒂婭·摩爾,文森特·里根,皮魯·埃斯貝克,英格麗·溫,傑·麥克唐納,泰勒·伯格,馬多克斯·克魯茲-波特,瑞弗·奧·莫莫伊·格林,尼考·濟慈·格林,波蒂·麥凱布,埃利奧特·奧本-佩普拉,盧西恩·奧本-佩普拉,阿瑟·羅-邁耶
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HD
Sam Gittins,文森特·里根,勞拉·萊蒙,Alhaji Fofana,李奧·斯塔
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TC中字
李秉憲,樸敘俊,樸寶英,金善映,樸持厚,羅哲,金度允,南鎮福,金學善
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HD中字
索洛·馬裏多納,布魯娜·馬爾科辛,蘇珊·薩蘭登,哈維·吉蘭,勞爾·特魯希洛,艾爾皮迪婭·卡里洛,喬治·洛佩茲,艾德里安娜·巴拉扎,達米安·阿爾卡扎,貝莉莎·埃斯科貝多,Walter J. Buck,Brianna Quinn Lewis,Ryan Austin Bryant,Maurice T Johnson,路易斯·桑切斯,羅伯特·廷斯利
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HD
埃茲拉·米勒,本·阿弗萊克,邁克爾·基頓,薩莎·卡萊,邁克爾·珊農,瑪麗維爾·貝爾杜,朗·裏維斯頓,蓋爾·加朵,安婕·特拉烏,伊恩·洛,特穆拉·莫里森,科雷西·克萊門斯,希爾莎-莫妮卡·傑克遜,魯迪·曼卡索,尼古拉斯·凱奇,喬治·克魯尼,傑森·莫瑪,安德斯·穆斯切蒂,羅茜·伊德,盧克·布蘭登·菲爾德,肖恩·羅傑斯,伊莎貝爾·貝爾納多,埃裏克·蒂德,安東尼·加西亞,凱恩·艾登,利亞姆·愛德華茲,Tianyi Kiy,莉昂·馬蘇達,安迪·M·米利根
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HD
安東尼·拉莫斯,多米尼克·菲什巴克,彼特·庫倫,朗·普爾曼,彼特·丁拉基,楊紫瓊,皮特·戴維森,科爾曼·多明戈,麗茲·考什,克里斯托·費爾南德斯,MJ·羅德里格斯,大衛·索博洛夫,湯加伊·基裏薩,約翰·迪·馬吉歐,迪恩·斯科特·瓦茲奎茲,託貝·紐維吉,勞倫·維勒斯,莎拉·斯蒂爾斯,多梅尼克·迪羅薩
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HD
羅比·阿梅爾,喬丹娜·布魯斯特,劉思慕,薩姆·沃辛頓,艾麗西亞·桑茲,梅寇·阮,Masa Lizdek,Christine L. Nguyen,埃曼紐爾·卡邦戈,Samantha Helt,Keethan Krish,薇恩娜·赫海爾,Mercedes Leggett,Byron Abalos,Derick Agyemang,德魯·凱瑟琳
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HD
克里斯·帕拉特,佐伊·索爾達娜,戴夫·巴蒂斯塔,範·迪塞爾,布萊德利·庫珀,凱倫·吉蘭,龐·克萊門捷夫,伊麗莎白·德比茨基,肖恩·古恩,西爾維斯特·史泰龍,威爾·保爾特,楚克武迪·武吉,琳達·卡德里尼,阿西姆·喬杜裏,米凱拉·霍沃,諾亞·巴斯金,丹妮拉·曼希沃,邁克爾·羅森巴姆,瑪麗亞·巴卡洛娃,尼科·桑托斯,莎拉·阿拉米,史蒂芬·布萊克哈特,喬瓦尼·克魯茲,戴恩·迪利格羅,雷納爾多·法伯勒,阿德琳·斯布恩
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H
亞當·德賴弗,阿麗亞娜·格林布拉特,克洛伊·科爾曼,妮卡·金,布萊恩·達爾
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HD
塞繆爾·傑克遜,邁克爾·道格拉斯,伊萬傑琳·莉莉,保羅·路德,喬納森·梅傑斯,米歇爾·菲佛,比爾·默瑞,凱瑟琳·紐頓
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高清
吳京,劉德華,李雪健,沙溢,寧理,王智,朱顏曼滋,安地,王若熹,,佟麗婭,瓦蒂利·馬卡里切夫,張衣,卡瓦瓦·卡迪奇,克拉拉,葉展飛,託尼·尼科爾森,胡先煦,霍青,國義騫,李路琦,吳恩璇,王紅衛,孔大山,徐建,嚴華,郜昂,丁燕來,張濤,向進,劉寅,王磊,王一通,楊洪濤,趙葉索
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HD中字
薩姆·沃辛頓,佐伊·索爾達娜,西格妮·韋弗,史蒂芬·朗,克利夫·柯蒂斯,喬·大衛·摩爾,,希·龐德,埃迪·法可,傑米·福雷特斯,吉奧瓦尼·瑞比西,凱特·溫絲萊特,傑梅奈·克萊門特,布倫丹·考威爾,布里坦·道爾頓,特里尼蒂·布利斯,傑克·尚皮永,貝利·巴斯,菲利普·蓋廖,小杜安·埃文斯,迪利普·勞,馬特·傑拉德,科斯頓·約翰,凱文·多曼,艾麗西婭·維拉-貝利,肖恩·安東尼·莫蘭,瑪麗亞·沃克,喬爾·託貝克,本傑明·霍特傑斯,沙恩·朗吉,克洛伊·科爾曼,CJ·瓊斯
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已完結
拉菲拉·查普曼,埃迪·馬森,羅西·麥克尤恩,理查德·布雷克,Melanie,Gaydos,Edmund,Dehn
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HD
金宇彬,廉晶雅,金義城,金泰梨,劉在明,李荷妮,柳俊烈,蘇志燮,趙祐鎮,金燦亨
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.
Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?
n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.
What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.
On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.
One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.
Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.