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高清
賈玲,雷佳音,張小斐,楊紫,沙溢,喬杉,李雪琴,馬麗,魏翔,趙海燕,張琪,沈春陽,沈濤,許君聰,卜鈺,朱天福,劉宏祿,張泰維,郭宇鵬,李海銀,李國麟,張桂玲,孫婉竹,趙婷婷,法志遠,姬晴,曹賀軍,劉頔,賈文田,雷鳴武
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HD
凱文·哈特,古古·姆巴塔-勞,文森特·多諾費奧,薩姆·沃辛頓,烏蘇拉·科爾維羅,比利·馬格努森,金允智,維威克·卡拉,讓·雷諾,雅各布·巴特朗,伯恩·戈曼,保羅·安德森,David,Proud,奧利·格林,羅斯·安德森,Stefano,Skalkotos,Martina,Avogadri,耶斯·利奧丹,卡羅琳·朗奎,Alessandro,Quattro
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HD
比爾·伯爾,鮑比·坎納瓦爾,博基姆·伍德拜因,邁爾斯·羅賓斯,雷格·愛德沃茲,羅裏·斯卡沃,娜塔莎·賴格羅,卡特里娜·寶登,瑞秋·哈里斯
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HD
扎克瑞·昆圖,盧卡斯·蓋奇,朱迪斯·賴特,西蒙·雷克斯,約瑟夫·貝塞特,奧德拉·麥克唐納,Sebastian Arroyo,Christopher Reed Brown,Dominique Lawson
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HD
傑姆·耶爾馬茲,阿森·埃爾奧盧,妮麗帕萊.莎音卡亞,奧茲格·奧茲伯克,比倫特·薩克拉克,Zafer,Alg?z,傑拉爾.卡德里.肯奧古魯,Aziz,Yanik
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小瀋陽,潘斌龍,沈春陽
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正片
俞更寅 李林謙 張嘉昱 張百喬 王嘯宇
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HD
威爾·法瑞爾,傑米·福克斯,威爾·福特,艾拉·菲舍爾,蘭道爾·樸,喬什·加德,哈維·吉蘭,布倫特·吉爾曼,羅伯·裏格爾,詹米·德米特魯,索菲婭·維加拉,漢娜·艾琳,泰勒·安東尼厄斯,海蒂·納賽爾,傑德·費爾南德斯,安德烈埃·萊恩,提納西·卡黑錫,亞歷山德拉·菲肯,查瑞蒂·塞萬提斯,丹·佩羅,埃文·洛茨,加雷特·海因斯
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更新至第10集
邢原源,王博文,高禹恆,黃恆,郭紅進,陳小龍,閻凱,夏銘澤,苗龍,計良,唐一卉,劉揚,徐安琪
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HD
黛安·基頓,簡·方達,坎迪斯·伯根,瑪麗·斯汀伯根,安迪·加西亞,唐·約翰遜,格雷格·T·尼爾森,吉安卡羅·吉安尼尼,休·誇希,文森特·里奧特,喬瓦尼·埃斯波西託,吉皮耶羅·朱迪卡,維拉·德拉貢,烏戈·迪蓋羅,布萊斯·馬蒂內,弗朗西斯·塞爾皮科,羅伯特·施泰納
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HD
勞勃狄尼洛,塞巴斯蒂安·馬尼斯科,萊絲莉·比伯,金·凱特羅爾,大衛·拉斯徹,安德雷斯·霍爾姆,布瑞特·迪爾,阿丹·詹姆斯·卡里略,勞拉·奧爾特,科爾比·辛恩,傑西·卡馬喬,安德烈埃·加內特,安娜·納瓦羅,克里斯·海斯,卡拉·克里斯蒂娜·孔特雷拉斯,邁克爾·斯圖爾特,黛博拉·塔克,喬納森·凡·奈斯,格里芬·胡德
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HD
阿爾佛萊德·卡斯特羅,Catalina Guerra,保拉·盧辛格,迭戈·穆尼奧斯,格洛利亞·蒙奇梅爾,安帕羅·諾格拉,馬爾西亞·塔格萊,傑米·瓦德爾,安東尼婭·塞赫爾斯
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HD
瑞秋·塞諾特,阿尤·艾德維利,露比·克魯茲,哈瓦娜·羅絲·劉,凱雅·基伯,尼古拉斯·加利齊納,邁爾斯·福勒,馬歇爾·林奇,達格瑪拉·多敏齊克,龐基·約翰遜,薩馬尼·懷爾德,桑默·喬伊·坎貝爾,弗吉尼亞·塔克,韋恩·佩雷,託比·尼克爾斯,卡梅隆·斯托特,泰德·弗格森,布魯諾·羅斯,扎克·普里莫,伊麗莎白·紐康默
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HD
米羅斯洛·巴卡,馬太烏茲·巴納斯烏克,阿德里安娜·赫勒比茨卡,克里斯托夫·切佐特,艾薩貝拉·達布魯夫斯卡,托馬斯·卡羅拉克,Jacek Knap,Ewa Kolasinska,Monika Krzywkowska,Jaroslaw Marciniak,Helena Mazur,Ina Sobala,塞巴斯蒂安·斯坦齊維茲
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HD中字
黃渤,單禹豪,閆妮,張鈞甯,張子賢,萬茜,王迅,吳磊,王子銘,楊曼聆,泰勒,張磊,楊新鳴,王慶祥,傅首爾,倪虹潔,孔連順
In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now.
But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film).
In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack.
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