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全16集+特輯02
金秀賢,金智媛,樸成焄,郭東延,李主儐,宋仲基,金甲洙,李美淑,鄭鎮榮,羅映姫,金貞蘭,全裴修,黃英熙,金道賢,張允柱,金周靈,尹普美,吳正世
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李現,周雨彤,劉琳,方芳,吳俊霆,張熙唯,萬鵬,張弛,牛超,田玲,徐幸,張壘
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第10集
邊佑錫,金惠奫,宋建熙,李承協
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全37集
楊紫,許凱,牛駿峯,許齡月,張耀,何賽飛,姚安濂,吳彥姝
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全08集
林依晨,許瑋甯,賀軍翔,柯震東,路斯明
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全40集
胡一天,張婧儀,吳希澤,盧昱曉,邊程,胡杏兒,劉佳,海一天,楊明娜,高雄,田淼,方楚彤,胡春楊,梁芷菁,黃思瑞,王喬熙,陳恆,張舒妍,鍾小淇,王麗娜,姚筱筱,殷玥
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全39集
趙麗穎,林更新,辛雲來,何與,李嘉琦,曾黎,宣璐,劉冠麟,邱心志,黃澄澄,徐海喬,董潔,宋寧峯,周峻緯,王伊瑤,魏子昕,李子峯,黃羿,胡丹丹,周小川,陳震
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陳展鵬,林夏薇,黃智賢,蔣祖曼,張頴康,劉佩玥,方力申,馮盈盈,高鈞賢,姜大衛,麥玲玲,梁小冰,李國麟,陳嘉輝,張雷,黃庭鋒,郭柏妍,鄭俊弘,董敬文,李啓傑,林子超,趙璧渝,海俊傑,容天佑,朱匯林,張子豐,張本立,尹光,菊梓喬,黃韻材,陳少邦,羅毓儀,莊思明,謝雪心,林偉,李龍基,黎燕珊,潘志文,劉桂芳,陳狄克,吳香倫,陳榮峻,梁皓楷,阮嘉敏,周麗欣,吳紫韻,杜燕歌,姚宏遠,衛志豪,黃耀煌,方紹聰,王菲,黃嘉樂,林熹瞳,吳沚默,劉緯民,王賢志,馬國明,炎明熹,杜大偉
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田中真弓,岡村明美,中井和哉,山口勝平,平田廣明,大谷育江,山口由裏子,矢尾一樹,長島雄一,池田秀一,古川登志夫,古谷徹,大塚周夫,津嘉山正種,草尾毅,大場真人,寶龜克壽,園部啓一,柴田秀勝,中博史,阪口大助,竹內順子,千葉繁,三石琴乃,掛川裕彥,堀秀行,田中秀幸,大友龍三郎,有本欽隆,大塚明夫,玄田哲章,小山茉美,土井美加,野田順子,渡邊美佐,野上尤加奈,林原惠美,水樹奈奈,園崎未惠,西原久美子,久川綾,澤城美雪,池澤春菜,齋藤千和,神谷浩史,浪川大輔,森久保祥太郎,石田彰,高木涉,檜山修之,子安武人,
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第17集
徐璐,魏哲鳴,劉些寧,吳崇軒,程金銘,楊舒亦,鄧靖弘
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暫無
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胡一天,梁潔,代旭,劉暢,孫嘉靈,吳芊盈,李殿尊,張瑤
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TC搶先版
古天樂,洪金寶,任賢齊,林峯,劉俊謙,黃德斌,伍允龍,鬍子彤,張文傑,廖子妤,郭富城,蔡思韻,黃梓樂
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全10集
朱智勳,韓孝周,李熙俊,李茂生,樸知妍,趙福來,金相鎬,李序,金秉哲,全錫浩
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40集全
秦昊,楊冪,張子賢,欒元暉,王鶴潤,劉宇軒,林家川,蔣奇明,馮兵,李東恆,趙濱,董暢,張國強,浩歌,沙寶亮,田小潔,景崗山
蘇利曼和“蘇丹電影俱樂部”的另外三名成員決定重振一家舊電影院。他們不僅因爲對電影的熱愛和對恢復舊電影存量、再次關注蘇丹電影歷史的強烈渴望而團結在一起,而且因爲他們都曾在流放中接受過電影教育。不知疲倦地,他們試圖讓影院老闆站在他們一邊,讓這個地方重新運作起來,但他們一再發現自己遭到了相當大的阻力。同時,他們坐在一起談論過去——包括他們作爲對立藝術家遭受迫害甚至折磨的經歷。他們還朗讀流亡和夢想蘇丹時寫的舊信,在那裏藝術和智力思想可以自由。“我們比他們聰明,但不如他們強大,”他們一致總結了他們的處境。正是在這些簡潔的時刻,觀衆才能夠感知到友誼,以及在爲共同理想而鬥爭中存在的紐帶和意識形態的團結。
蘇哈伊布·加斯梅爾巴里把蘇丹電影的歷史放在影片的中心,同時也揭示了一個受到持續危機影響的國家的現狀
Suliman and three further members of the ‘Sudanese Film Club’ have decided to revive an old cinema. They are united not only by their love of cinema and their passionate desire to restore old film stock and draw attention to Sudanese film history once more, but also by the fact that they have all enjoyed a film education in exile. Tirelessly, they try to get the cinema’s owners on their side and make the place operational again, but repeatedly find themselves up against considerable resistance. In the meantime, they sit together and talk about the past – including their experiences of persecution and even torture as oppositional artists. They also read out old letters written while in exile and dream of a Sudan in which art and intellectual thought can be free. ‘We are smarter than them, but not as strong,’ is how they unanimously summarise their situation. It is in laconic moments such as these that the viewer is able to perceive the friendship, as well as the bond and ideological solidarity that exists in the struggle for common ideals.
Suhaib Gasmelbari puts the history of Sudanese cinema at the centre of his film and at the same time sheds light on the current situation in a country shaken by ongoing crises.