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16集全
金秀賢,金智媛,樸成焄,郭東延,李主儐,宋仲基,金甲洙,李美淑,鄭鎮榮,羅映姫,金貞蘭,全裴修,黃英熙,金道賢,張允柱,金周靈,尹普美,吳正世
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8集全
林依晨,許瑋甯,賀軍翔,柯震東,路斯明
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第21集完結
李現,周雨彤,劉琳,方芳,吳俊霆,張熙唯,萬鵬,張弛,牛超,田玲,徐幸,張壘
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第37集完結
楊紫,許凱,牛駿峯,許齡月,張耀,何賽飛,姚安濂,吳彥姝
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更至39集
胡一天,張婧儀,吳希澤,盧昱曉,邊程,胡杏兒,劉佳,海一天,楊明娜,高雄,田淼,方楚彤,胡春楊,梁芷菁,黃思瑞,王喬熙,陳恆,張舒妍,鍾小淇,王麗娜,姚筱筱,殷玥
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完結
趙麗穎,林更新,辛雲來,何與,李嘉琦,曾黎,宣璐,劉冠麟,邱心志,黃澄澄,徐海喬,董潔,宋寧峯,周峻緯,王伊瑤,魏子昕,李子峯,黃羿,胡丹丹,周小川,陳震
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更新至8集
邊佑錫,金惠奫,宋建熙,李承協
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更至1102集
田中真弓,岡村明美,中井和哉,山口勝平,平田廣明,大谷育江,山口由裏子,矢尾一樹,長島雄一,池田秀一,古川登志夫,古谷徹,大塚周夫,津嘉山正種,草尾毅,大場真人,寶龜克壽,園部啓一,柴田秀勝,中博史,阪口大助,竹內順子,千葉繁,三石琴乃,掛川裕彥,堀秀行,田中秀幸,大友龍三郎,有本欽隆,大塚明夫,玄田哲章,小山茉美,土井美加,野田順子,渡邊美佐,野上尤加奈,林原惠美,水樹奈奈,園崎未惠,西原久美子,久川綾,澤城美雪,池澤春菜,齋藤千和,神谷浩史,浪川大輔,森久保祥太郎,石田彰,高木涉,檜山修之,子安武人,
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24集全
郭品超,張淼怡,任運傑,吳逸伽,劉書源,宋沐心,孔琳
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更新至94集
暫無
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第40集完結
白宇帆,於和偉,夏夢,隆妮,王驍,馮嘉怡,王勁松,楊子姍,陳瑾,塗松巖,章申,張建亞,邢岷山,李穎,節冰,李洪濤,姚一奇,冷紀元,劉若嫣,封新天,顧宇峯,虞金澤,董晴,嚴永瑄,高蓓蓓,楊雨婷,文靜,彭賽,都蘭,曲高位,韋奕波,許國棟,張衣,牛北壬,姚卓君
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HD
崔岷植,金高銀,柳海真,李到晛,全鎮基,洪瑞俊
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更新至24集
陳展鵬,林夏薇,黃智賢,蔣祖曼,張頴康,劉佩玥,方力申,馮盈盈,高鈞賢,姜大衛,麥玲玲,梁小冰,李國麟,陳嘉輝,張雷,黃庭鋒,郭柏妍,鄭俊弘,董敬文,李啓傑,林子超,趙璧渝,海俊傑,容天佑,朱匯林,張子豐,張本立,尹光,菊梓喬,黃韻材,陳少邦,羅毓儀,莊思明,謝雪心,林偉,李龍基,黎燕珊,潘志文,劉桂芳,陳狄克,吳香倫,陳榮峻,梁皓楷,阮嘉敏,周麗欣,吳紫韻,杜燕歌,姚宏遠,衛志豪,黃耀煌,方紹聰,王菲,黃嘉樂,林熹瞳,吳沚默,劉緯民,王賢志,馬國明,炎明熹,杜大偉
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更新至12集
徐璐,魏哲鳴,劉些寧,吳崇軒,程金銘,楊舒亦,鄧靖弘
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更新至161集
本片 榮獲第四屆深圳青年影像節紀錄片類 最佳創意獎 ,香港中文大學、 第二屆中國民族博物館 永久收藏獎 。
有意想觀看的,可聯繫版權方微信:1714371600
《加一》顛覆大衆對留守兒童的固定思維,以獨特的視角呈現最真實的留守兒童生活。
加一是一名留守兒童,父母常年在外打工,每次短暫的相聚都會牽動加一幼小 的心靈:長途 跋涉和爺爺去看望在外打工的父母,離別時躺在爸爸腿上靜靜落淚;春節過後媽媽提前出去打工,沒有說再見是因爲偷偷躲在被 窩裏泣不成聲。然而父母離開後生活依然要繼續,忍受過難嘗的別離滋味後,依然要忘掉煩惱,快樂地和同學玩耍,淘氣地逗哭弟弟後又像大人一樣哄着他。每天和弟弟徘徊在哭與笑之間,就這樣在痛與樂中成長着。
留守兒童並不是“苦逼”的代名詞,他們有他們的快樂,有他們的純真,他們也確實要忍受不一樣的孤獨和無奈。大時代下的小人物,他們的生存狀態是這個時代的特殊印跡。
The documentary, “JIAYI”, adopts a particular position from where it objectively and non-discriminatingly uncovers a real world of these left-behind kids in rural area in China, which overthrows the social stereotyping towards this special group existing in the remote and underdeveloped regions.
JiaYi, one of these unattended children, cherished every single reunion with her parents who work as migrant labors: she would travel thousands of miles with her grandfather to visit them; lying on her father’s leg and crying silently is her way of resisting saying goodbye; Tears flooded her eyes so violently that she didn't says any words when her mother had to leave earlier than planned to start working during the spring festival. However, life goes on no matter they are ready or not. She struggles to survive in the suffering of separation while at the mean time, she must learn to forget this painfulness and pretend to live like a normal kid who enjoys her time in school with peers. She, like a mature adult, can make her younger brother cry and then burst into laughs. Their life is filled with tears and laughter as they grow up happily and toughly.
“Sadness” is not supposed to be the first image of these unattended children. Even though they have to withstand the loneliness and desperation that are not normally experienced by their peers, they still have their share of happiness and innocence. They contribute to maybe a minor section of this era but their very existence still leaves marks on this thriving generation filled with variations.